hier
pronuntiatio restituta
http://www.artes-bonae.de/suppl/Latein/VOX/vox.HTM
Moderatoren: Zythophilus, marcus03, Tiberis, ille ego qui, consus, e-latein: Team
UND WIE KLANGEN DIE VERSE?
Grundsätzlich gilt, dass der Vers der Poesie genauso zu lesen ist wie das Kolon der Prosa [...].
Den Anfang von Lukrez 1 würde man in Prosa so betonen:
[gemeint ist dieser Vers: Aeneadum genetrix hominum divomque voluptas]
Aenéadum génetrix; schulmässig jedoch liest man:
Ãeneadúm genetrÃx. Es gibt aber nirgendwo in der Welt ein Volk, das in seinen Versen andere Betonungsregeln hätte als anderswo.
There is little disagreement that the prehistoric accent of Latin was a stress accent, and that this fell on the first syllable of the word. [...]
But certainly by classical time the principles governing the position of the accent had completely changed in accordance with what is usually called the ‚Penultimate Law’. [...]
Whilst these rules are quite clear, however, and unambiguously stated by the grammarians (cf. Quintilian , i, 5, 30), there is some controversy about the nature of the historical accent, namely whether it was one of stress (as in prehistoric Latin or modern English), or of musical pitch (as in classical Greek).
STRESS AND ACCENT IN LATIN PROSE
It may seem odd that Latin employs a different system of pronunciation for daily speech and written prose, as against that used in poetry. This is no doubt a result of the dominating influence of Classical Greek literature on the unformed and susceptible sensibilities of the 4th c. B.C. Romans. Actually the prose stress system is present,although covert, in Latin poetry, and sometimes creates an interesting artistic off-balance effect which the poet intends. Put the other way around, if the stress were violently out of phase with the length system, the results would be unreadable or laughable. [...]
Aber hört euch ruhig Prof. Stroh von dem Link von vorher an, er macht das hervorragend - so sollte es klingen.
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